Further Reading
Here is a short reading list to learn more about motor imagery in other disciplines such as dance, sport and rehabilitation:
Bowes, Patricia Louise (2009), An exploratory study of the use of imagery by vocal professionals: Applications of a sport psychology framework. Graduate Theses and Dissertations.
Caldwell, R., & Wall, J. (2001), Excellence in singing: Multilevel learning and multilevel teaching. Volume 4 Redmond, WA: Caldwell.
Callen-Freed, D (April 2000), Imagery in Early 20th Century American Vocal Pedagogy, NATS Journal.
Carter, M. R. (1993). Mental imagery in the science and art of singing: An inquiry into imagery use by a select group of professional singers. Dissertation, Rutgers The State University of New Jersey - New Brunswick, United States.
Clements, Jon F, (2008) Use of Imagery in Teaching Voice to the Twenty-firrst Century Student" Electronic theses, Treatises and Dissertations. Paper 3584.
Cleveland, T. (1989). Vocal pedagogy in the twenty-first century: Mental imaging and the teaching of voice. Journal of the National Association of Teachers of Singing, 45(3), 41-42.
Ganis, G, Thompson, W, Kosslyn S (2004), Brain Areas Underlying Visual Mental Imagery and Visual Perception: an FMRI study, Cognitive Brain Research 20, pp 226-41
Guillot, A, Collet, C, (2010), The neurophysiological foundations of mental and motor imagery. Oxford University Press.
Holt, R. R, (1964), Imagery: The return of the ostracized. American Psychologist, 19, 254-264.
Kleber B.A, and Zarate J.M, (2014) The Neuroscience of Singing, The Oxford Handbook of Singing Chapter 3, 2014
Kosslyn SM, Ganis G, Thompson WL (2001) Neural foundations of imagery. Nat Review of Neuroscience 2(9):635–642
Kosslyn, S. M., Ganis, G., &,Thompson W. L. (2006). Mental imagery and the human brain. In Q. Jing,
Lindauer, M. S. (1983). Imagery and the arts. In A. A. Sheikh (Ed.), Imagery: Current theory, research, and application (pp. 468-506). New York: Wiley.
Mauleon C, (2009). Embodied experience and communicative intentions of the singing voice, Proceedings of the 7th Triennial Conference of European Society for the Cognitive Sciences of Music, Jyväskylä, Finland.
Mellet, E, Tzourio, N et al (1996), Functional anatomy of spatial mental imagery generated from verbal instruction. The Journal of Neuroscience 16 pp 6504-12.
Pylyshyn, ZW, (1981), What the mind’s eye tells the mind’s brain: a critique of mental imagery. Psychological Bulletin 80, pp 1-24
Richardson, A, (1983), Imagery: Definition and types. In A. A. Sheikh, Imagery: Current theory, research, and application (pp. 3-42). New York: John Wiley & Sons.
Sheehan, P. W, (1972), The function and nature of imagery. New York: Academic Press.
Washburn, M. F, (1916), Movement and mental imagery. Boston: Houghton Mifflin.
Welch, G., Howard, D., & Nix, J, (2014), The Oxford Handbook of Singing, Oxford University Press.
Here is a short reading list to learn more about motor imagery in other disciplines such as dance, sport and rehabilitation:
Bowes, Patricia Louise (2009), An exploratory study of the use of imagery by vocal professionals: Applications of a sport psychology framework. Graduate Theses and Dissertations.
Caldwell, R., & Wall, J. (2001), Excellence in singing: Multilevel learning and multilevel teaching. Volume 4 Redmond, WA: Caldwell.
Callen-Freed, D (April 2000), Imagery in Early 20th Century American Vocal Pedagogy, NATS Journal.
Carter, M. R. (1993). Mental imagery in the science and art of singing: An inquiry into imagery use by a select group of professional singers. Dissertation, Rutgers The State University of New Jersey - New Brunswick, United States.
Clements, Jon F, (2008) Use of Imagery in Teaching Voice to the Twenty-firrst Century Student" Electronic theses, Treatises and Dissertations. Paper 3584.
Cleveland, T. (1989). Vocal pedagogy in the twenty-first century: Mental imaging and the teaching of voice. Journal of the National Association of Teachers of Singing, 45(3), 41-42.
Ganis, G, Thompson, W, Kosslyn S (2004), Brain Areas Underlying Visual Mental Imagery and Visual Perception: an FMRI study, Cognitive Brain Research 20, pp 226-41
Guillot, A, Collet, C, (2010), The neurophysiological foundations of mental and motor imagery. Oxford University Press.
Holt, R. R, (1964), Imagery: The return of the ostracized. American Psychologist, 19, 254-264.
Kleber B.A, and Zarate J.M, (2014) The Neuroscience of Singing, The Oxford Handbook of Singing Chapter 3, 2014
Kosslyn SM, Ganis G, Thompson WL (2001) Neural foundations of imagery. Nat Review of Neuroscience 2(9):635–642
Kosslyn, S. M., Ganis, G., &,Thompson W. L. (2006). Mental imagery and the human brain. In Q. Jing,
Lindauer, M. S. (1983). Imagery and the arts. In A. A. Sheikh (Ed.), Imagery: Current theory, research, and application (pp. 468-506). New York: Wiley.
Mauleon C, (2009). Embodied experience and communicative intentions of the singing voice, Proceedings of the 7th Triennial Conference of European Society for the Cognitive Sciences of Music, Jyväskylä, Finland.
Mellet, E, Tzourio, N et al (1996), Functional anatomy of spatial mental imagery generated from verbal instruction. The Journal of Neuroscience 16 pp 6504-12.
Pylyshyn, ZW, (1981), What the mind’s eye tells the mind’s brain: a critique of mental imagery. Psychological Bulletin 80, pp 1-24
Richardson, A, (1983), Imagery: Definition and types. In A. A. Sheikh, Imagery: Current theory, research, and application (pp. 3-42). New York: John Wiley & Sons.
Sheehan, P. W, (1972), The function and nature of imagery. New York: Academic Press.
Washburn, M. F, (1916), Movement and mental imagery. Boston: Houghton Mifflin.
Welch, G., Howard, D., & Nix, J, (2014), The Oxford Handbook of Singing, Oxford University Press.